How to Play On Piano Secrets

Learning a musical instrument is a pleasant part of most people’s childhood. Typically, school programs will at least introduce you to the basic instruments, like the recorder, the drums, the piano and the saxophone. You might even get the opportunity to play in the band or in the school orchestra where you can learn how to read a little bit of music and maybe even make some music up on your own. If you don’t have these school programs, you can still learn how to play on piano, as long as you have a place where you can do a little experimentation without bothering anyone.

The first thing you need to start learning how to play the piano is an actual piano. You might have access to an old upright piano that is located at your school or at a community center in your town. Also, some churches and hotels also have pianos that you can play as long as the owners don’t think you will be bothering anyone. If you can’t find a place where there is a real piano that you can play on, you should know that there are electronic keyboards that will serve the same purpose when you are first starting out learning to play. These electronic keyboards have the advantage of volume controls and earphone plugs so that you can practice even when your living situation requires that you don’t make a lot of noise.

Once you’ve figured out exactly how you will key access to a piano or keyboard, you can really start learning how to play the instrument. The first thing that you should do on your piano or keyboard is to experiment with what it feels and sounds like to strike the keys. If you are playing on a real piano, press every white key and every black key all up and down the octaves of the keyboard. Listen to the difference in the sound if you press them softly or if you strike them hard. This will teach you important things about the way the notes of the piano are arranged and how you can use your fingers to make them sound full of energy, or soft and creeping.

Now that you have a little bit of a feel for what it is like to actually make sounds come out of the piano, you should see if you can plunk out a little familiar tune, without music, just using your ears to tell you if the note is right or wrong. Start with a song that you know by heart and you have been singing for years. Many people choose to start with the Twinkle, Twinkle, Little Star melody because it is simple and they can tell just by listening whether or not they have the song right. Try to guess which keys will play the next sound that you are listening for. This will help you to become more comfortable with the keyboard, and the location of the keys and sounds.

Source by Benoit Gilbert

Buying a New Saxophone: Things to Consider When Buying a New Saxophone

Buying a new saxophone requires minimal knowledge of the types of saxophones available in the market as well as the differences that distinguish them from each other.  Saxophones are generally categorized into four types.  The first would be the soprano saxophone which is in the key of B flat.  Its sound or pitch is higher compared to the other saxophones and is therefore generally considered as the hardest to play.  This is not recommended to beginners who are not yet adept at playing the instrument.  The second type is called the Alto Saxophone and is in the key of E flat.  It is the one commonly played most especially by beginners.  This type of saxophone is recommended to beginners because most of the practice materials and compositions for beginners are in the alto pitch.  The third one is called the tenor saxophone.  It is in the key of B flat and is mostly used for playing jazz and blues as well as rock music.  However, the neck of this kind of saxophone is longer than the other types of saxophone making it more prone to damage.  The fourth kind is the baritone saxophone.  It is usually played for jazz solos.  It is the largest among the other three types of saxophone that its players will have to wear a harness to support its weight.

The person buying a new saxophone must determine first the exact purpose(s) for which the instrument is to be purchased.  For instance, if one is looking at buying a new saxophone to play mostly jazz or rock music, then the best choice would be the tenor saxophone.  But if the person using the instrument is a beginner and wishes to learn more about playing the instrument, then the Alto Saxophone is the best pick.  Since these saxophones also come in different shapes and sizes, one who intends to use the saxophone regularly and wishes it to be more handy and manageable as opposed to heavy and sturdy will have to do away with baritone saxophone.  

After delimiting one’s choice to any particular type of saxophone, the next consideration would be the price.  This is very important especially if one has to work with a limited budget.  Nevertheless, price consideration is also important vis a vis the market value of the instrument.  One would not want to purchase an extremely cheap saxophone as it may render the quality of the instrument in doubt; neither is it wise for anyone to just rush and purchase a new instrument for a price twice its real market price.  That would be a total rip off!!

Checking out the manufacturer of the saxophone may also help in ensuring that the saxophone is going to be good quality.  This is especially important to ensure that one does not buy an instrument which is difficult to tune, has bad or weak tone, or is easily broken.  The model of the instrument may also be helpful in buying a new saxophone.  However, for students who wish only to purchase new saxophones for practice and casual playing as opposed to professionally using the instrument, being particular with the model may not be necessary.  Finally, when the questions on the type of saxophone, its price, manufacturer and model have been settled it is important to make sure that the instrument is in its best condition.  Check for faulty hardware, breaks, leaks, or bent parts.  When all these have been observed, one may then proceed to purchase buying a new saxophone.

Source by William Thompson

Can You Learn To Play The Saxophone?

Often used in jazz and popular music, this instrument was invented by Adolphe Sax in 1840. Patented in 1846, it did not gain popularity for many years. Sax invented this instrument while working on a clarinet and this is similar to that instrument. The inventor wanted the saxophone to have the power of brass and finesse of woodwind instrument.

The saxophone uses a single reed mouthpiece like a clarinet, but with a round or square evacuated inner chamber. The saxophone’s body is effectively conical, giving it acoustic properties like the oboe. However, unlike the oboe, whose tube is a single cone, most saxophones have a distinctive curve at the bell. Straight soprano and soprano saxophones are more common than curved ones, and a very few straight alto and tenor saxophones have been made, as novelties.

How are they made? All saxophones are made with brass. Other experiments have been tried as well like wood. After the construction of the saxophone, a lacquer is applied. The manufacturers however have an option to plate the saxophone with silver or gold to make it look better and give out better sound. A debate in the saxophone community believes that the sound of the saxophone changes with the lacquer. Some however do not believe this fact. Although research up to a point has proved that this might be true.

The mouth piece of the saxophone is made with rubber, metal or even plastic. Plastic mouth pieces are bad for sound while metal give out the best and deepest sound effect.

The beauty of sound emanating from saxophone has been well established today. Although this instrument is often played solo, ensembles are very much a possibility, particularly when several members of the saxophone family are played in combination. Although only occasionally called for in orchestral music, saxophone sections (usually encompassing the alto, tenor, and baritone instruments, but sometimes also the soprano and/or bass) are an important part of the jazz big band, as well as military, concert, and marching bands. Ensembles made up exclusively of saxophones are also popular, with the most common being the saxophone quartet

Many believe that becoming a good saxophone player is relatively easy. More so when you are changing from another woodwind instrument. In actuality, a lot of practice is required to perfect the technique to play the saxophone. It is not at all easy as through the design specifications of the instrument, many different colors of the tone can be achieved. Controlling this requires a lot of determination mixed with practice.

The Saxophone indeed is very pleasing, when played properly it can be bright or deep with reflective fazes. Saxophone ensembles with its relatives can form a beautiful form of music. Used in jazz and funk, this instrument has proven its point and won to our hearts although rejected in the beginning.

Source by Sandra Stammberger

Saxophone Blues Scales – if you Want to Play Blues, Rock, Jazz you Need to Start Here

If you’re a saxophonist interested in playing any type of blues based music including rock and roll and even jazz then you need to use the blues scale as your number one tool to make things sound right.

A little history
If you want to investigate back to the beginnings of the blues as it came about in America just start with W.C. Handy, who was a black composer active in the early 1900’s when the blues form began to get popularized in large part because of his instrumental compositions “Memphis Blues” (1912) and “St. Louis Blues” (1914). Of coarse the blues oral tradition can be traced back to the mid 1800’s.

The blues scale
Because our western music has it’s roots in European classical music the music theorists needed to notate the blues scale as it was naturally played and sung into an understandable notation which could be analyzed and played by western trained musicians.

The simplest way to explain it’s theory is this:
Simply take the traditional major scale; C D E F G A B C and flatten the 3rd, 5th, and 7th. Now it looks like this: C D Eb E F Gb G A Bb C.
(Please look at the example on my website for the full musical notation). Notice the E, G, and B have been flattened, they are the 3rd, 5th and 7th notes of the C major scale and flattening them makes the scale sound minor thus giving it the “blues” or sad sound as opposed to the “major” or happy sound.

For us sax players these flat notes are perfect to incorporate a “growl” sound to further emphasize that “bluesy” expression or make it a bit more nasty. Two other things to notice; the 3rd and 5th can be played as a flat or not but the 7th generally is only played as a flat and not the major 7th in this type of scale or musical genre. (for some audio examples please refer to the website version of this article).

So now our basic major scale of 8 notes is now a blues scale of 10 notes. There are other variations to this blues scale; the basic version for example is a 7 note scale: C Eb F F# G Bb C (the F# being the same as the Gb). Adding the D, E natural and A give us more musical possibilities and will not change the basic sound of the blues scale. Even adding a flat 9th ( D flat) was a favorite thing Charlie Parker did a lot and is a good way to jazz up your phrases.

The blues progression
Of coarse this is all just words and notes and theory. You have to apply it and in any blues music this is done over a musical progression thats 12 measures in length, thus the term “12 bar blues”.

We’re in the key of C so the first 4 bars will be the C chord. The 5th and 6th bars change to the 4 chord which is F (4th note in the C scale).
The 7th and 8th bars change back to the 1 chord (C). The 9th and 10th bars change to the 5 chord, which is G. The 11th and 12th bars change back to the 1 chord (C). There are variations in this 12 bar pattern and can be seen on the website version of this article.

When starting out you can get away with just playing the same C blues scale over the entire progression but try to emphasize 1 or 2 of the notes in the F and G chord to make things a little more interesting. For example, over the F chord play an F or an A note to emphasize the harmonic color of the chord a little more.

In conclusion
The blues mean different things to many people ranging from musical styles to a way of life or philosophy. The blues do have musical influences from Europe and Africa but it is truly an American musical form and tradition fully rooted in the black experience of the post-war southern United States.

I want to be clear that when I talk about the blues or the blues scale I’m not only referring to this type of musical tradition and style but include funk, R&B, country, jazz and pop. Like the old saying goes; The blues had a baby and they names it rock & roll and from there came just about every form of pop music in western history since that explosive time in the mid 1900’s

And so, I think it’s safe to say that the blues scale is easily one of the most used and important scales for all types of western popular music.

Source by john ferreira

Alto Saxophones: Alto Saxophone for Beginners

Many people play the saxophone as a matter of occupation playing the instrument professionally and making a living out of it.  For some, playing the saxophone may just be a habit or a hobby, a matter of interest that has developed over the years.  Whatever may be the reason for one’s interest in playing the musical instrument, it is for certain that to be able to play any type of saxophone, one must acquire the skill and techniques necessary.  Thus, learning the basics is important.  Knowing about saxophone playing in a theoretic level may also prove beneficial as it provides for a groundwork in furthering one’s interest and knowledge about the instrument.  But then again, all these are not sufficient if one really intends to play the saxophone with ease.  To develop one’s skill and acquire the techniques necessary to be able to practically play the instrument and eventually, play it with ease requires practice.  This simply means that one has to start playing the instrument for real.

Since there are different types of saxophones available to enthusiasts in the market, choosing the right saxophone to play is crucial.  For beginners, the primary motivation or purpose for purchasing or playing the saxophone is to learn how to play it.  The main focus therefore is the acquisition of basic skill and technique, which of course would eventually lead to the acquisition of advanced skill and techniques for a more adept playing of the instrument.  In this regard, alto saxophones are best recommended to beginners and to those who only have minimal or elementary skill level in playing the saxophone.  The key for alto saxophone is in E flat (or Eb). There are two main reasons as to why alto saxophones are considered the best instrument for beginners or absolute beginners in saxophone playing.  First, most musical and practice pieces are written within the alto range.  This means that the range or the key is the same as that of the alto saxophone.  Hence, one can use alto saxophones in playing practice pieces without the added difficulty of adjusting the key or the range of the instrument or of the piece.  This further means that people with alto saxophones have more opportunity playing the instrument.  This allows them more opportunity to practice and more time spent honing one’s skill in saxophone playing.  If it were for anything, the learning process is actually accelerated and reinforced given the availability of practice materials or musical pieces.

Second, the structure of the saxophone also makes it a good instrument for absolute beginners.  The bell of the instrument is located up compared to the other types of saxophone.  This means that the person playing the instrument will have a better hearing of the music or sound produced from the saxophone played than the other saxophones which other people may be simultaneously playing.  The benefit of this is that the beginner will easily spot some notes which may sound off and therefore he may easily track his mistakes during practice.  And the more the person realizes his mistakes, the better opportunity for him to correct himself and practice correctly.  Thus for these reasons, alto saxophones are recommended to beginners.

Source by William Thompson

Top Ten Funny Ways to Catch STDs

When trying to raise awareness about sexually transmitted diseases (STDs) leading physicians, nurses, and other health care professionals agree that unsafe sex is a leading cause of STDs. Unfortunately they often fail to describe unsafe sex and its dangers in a way that a reader will find interesting. I have read far too many articles saying that if you don’t use a condom you may get a temporary case of Syphilis, Gonorrhea, Chlamydia, or a permanent case of Herpes, Genital Warts, Hepatitis, HPV, or even HIV/AIDS. Never once have I found rock solid textual descriptions of dangerous sex. In this article I am bypassing medical journals and going straight to the experts at Urban Dictionary to find the top ten funniest ways that you can catch STDs.

10. Snowball

Where one person takes a cum load in their mouth, and then spits it back out into another person’s mouth.

9. Rusty Trombone

When a girl or gay male is eating out a guy’s asshole while giving him a hand job from the back. This resembles the act of playing a trombone with a rusty mouth piece. When a girl or gay male is eating out a guy’s asshole while giving him a hand job from the back. This resembles the act of playing a trombone with a rusty mouth piece.

8. Blumpkin

The act of receiving a blow job and taking a dump on the toilet at the same time.

7. Newnan Burrito

Wrap your cock in a tortilla and fill the tortilla with whatever a normal burrito would have (sour cream, cheese, maybe hot sauce) and then start having anal sex. Before you cum, you stick the newnan burrito in the woman’s mouth, giving the taste of cock and burrito.

6. Dump Truck

Tucking the cock and balls between the legs and proceeding to ejaculate in the female’s mouth while backing up and dropping a steamy load on her chest making crazy beeping noises like a dump truck

5. Angry Pirate

The act of receiving oral sex while standing up right, ending with the receiver not only shooting his sperm rocket into one of the giver’s eyes, but also kicking the giver in one of his/her shins, thereby hindering the giver with a “peg leg” and a defunct eye.

4. Alligator Fuckhouse

A daring sexual maneuver: Mid-coitus, one person bites the neck of the other, locks their arms and legs down and goes into a deathroll, all while maintaining insertion. Like downshifting a car!

3. Birmingham Booty Call

Put your woman’s cell phone on vibrate, stick it up her ass, and as you are having sex, call her phone, have her shit it out, answer it, and talk dirty to you as you cum on her face.

2. Alabama Hot Pocket

The woman spreads apart her vaginal lips while the man carefully positions his anus above her open crevice and fills it with shit. Once his bowels have been evacuated into her vagina, he proceeds to have vigorous sex with it and enjoy the explosive heat and gooeyness that erupts from her vagina like melted cheese from a blistering Hot Pocket.

1. Strawberry Shortcake

As the man approaches climax during either genital or oral intercourse, he pulls out to ejaculate upon his partner’s face and then immediately punches his partner in the nose, thus causing blood and semen to swirl upon his lover’s countenance in a delectable mixture reminiscent of the strawberries and whipped cream from everyone’s favorite summertime dessert.

There you have it, ten funny ways that may require you to catch a STD from Urban Dictionary. STDs are dangerous and potentially life threatening. Fortunately free STD history background checks are available at the STD Carriers Disease Control and Prevention Services website and STD Prevention Products are now available at the new STD Merchandise Classified Advertising Services website.

Source by STD Carriers

How To Play The Flute – 6 Tips For Adult Beginners

How to play the flute – Have you asked that question?

If you’re an adult beginner, here are some helpful tips for learning to play the flute.

1) Get the best instrument you can afford.

Your wallet guides your purchase.  In almost all cases, the more money you pay, the better instrument you’ll get.

However, you don’t have to mortgage your home to get a good flute.  Determine your budget, then see what’s out there.  Use word of mouth, check newspaper ads, and online sources to locate possible flutes to buy.

2) Don’t buy a flute until you’ve had it evaluated by a professional.

If you have a friend who plays the flute, ask them to play it and give their opinion.

Take the flute to a repair person and ask what it will cost to bring it up to optimum playing condition.  Factor that amount of money into the total purchase price.

3) Purchase a method book that includes a play-along CD.  You’ll learn much faster if you have a good concept of what you should sound like in your mind.

Don’t worry about how fast you move through the book.  Master each lesson before moving on.

4) Check out online lessons. has free online lessons with videos.

5) Get a book with a play-along CD of fun tunes, such as Christmas carols, Disney tunes, or songs from Broadway shows.  If the music is fun, you’ll want to play it and you’ll become a more proficient player faster.

6) Find some friends who also play the flute and form a small ensemble.  Or, join some other group that plays regularly.  The more you play, the better you’ll become, and the more fun you’ll have.

Have fun!

Source by Kathy Ferneau

The Differences Between a Tuba and Sousaphone

The sousaphone is basically a tuba, with the biggest difference being that the instrument will fit around the body of the musician. This makes it easier for someone in a marching band to carry the instrument and focus more on playing it rather than how to hold and balance it properly for a longer period of time. The fact that this particular instrument is most often seen in marching bands has earned it the name, “marching tuba”. One might wonder why this instrument is called the sousaphone when it is basically a tuba. The instrument is named after John Sousa, who was a well-known composer and conductor.

The sousaphone is a fairly young instrument, only being created in the late 1900s. John Sousa wanted to replace the helicon with the tuba, but the tuba was too big and awkward to use; the sousaphone developed was the answer to his problem. It was an instrument that gave what he wanted out of the tuba, but also offered the convenience and the ease with its special design. This brass instrument has the same length of tubing as other tubas; the main difference is in its sap so that it easily fits around the musician and the bell is over the head so the sound carries better. Another convenience built into this instrument is the ability to remove the bell when the instrument is put into storage or transported somewhere.

People who are not familiar with their instruments will sometimes mistake the tuba and the sousaphone for being completely different instruments when they are, in fact, the same instrument, just designed differently. Someone who is familiar with playing the tuba or a brass instrument will have little difficulty getting used to the sousaphone. The instrument is not overly difficult for people to learn how to play, even if they are completely new to wind instruments.

One will need to learn how to control their breathing and controlling the pitch through their lips, but many will enjoy the ease of playing the sousaphone that many will miss out on when playing the traditional tuba. This could very well be the reason why more people will consider the sousaphone over the tuba. It is quite easy to integrate the sousaphone as a result. The music will not differ from that of the tuba much, so having the opportunity to play this instrument in school bands is quite possible.

The cost of the sousaphone will vary, depending on the material it is made out of and whether or not it was bought new. It is often recommended that new students purchase a used instrument, or one that is made out of fiberglass before upgrading to a more expensive model. This way, a person is not spending a large sum of money on something that the person will have little use for after they have lost interest in the instrument. Many, however, will remain with this particular instrument because they enjoy playing it, as well as the warm sound it has when played right.

Source by Victor Epand

The Mythical Sounds of the Pan Flute

The pan flute is an instrument that consists of ten or more pipes, which differ in length, that are closed tube. The tubes are placed in a row, from the longest tube to the shortest. Each length will then produce a different note, depending on its length. It is most often viewed as an old folk instrument and it is what preceded the harmonica and the pipe organ. It is believed that the different lengths of the tubes in the pan flute were the inspiration for the pipe organ. While original pan flutes were generally made from reed or bamboo, most pan flutes today are made out of metal, plastic and wood.

As the ends of the pan flute are stopped, the flute is not played by the musician blowing air directly into the tubes. Instead, the pan flute is played by the musician blowing air across the opening, much the same way as other flutes are played. While the instrument appears fairly simple in its design and limited in the sounds it can play, the musician playing the pan flute can actually play a wide range of musical notes that can make some pleasant music.

In fact, an experienced player can play both sharp and flat notes by tilting the flute a certain way and by how they blow the air across the mouth of each tube. Even more experienced musicians can have such a good handle on the pan flute that they can play a scale in any key and creating vibratos is little trouble for them as well.

While the pan flute has been around for a very long time, and it didn’t appear to be overly popular in modern times, the pan flute really began to come back in the late 1900s, especially after a Gheorghe Zamfir, a Romanian musician, recorded many albums, toured and became well-known for his pan flute music.

Today, many people have chosen to play the pan flute and have continued to play for their love and enjoyment of the music and the instrument. In fact, there are other very well-known musicians who have used the pan flute in some of their music, including Aerosmith and The Beatles. It has also become quite popular in New Age music, perhaps for its light and soothing tone.

It might not be the first instrument that many will immediately choose when deciding on an instrument to play, though many who have heard the pan flute, and enjoy the genre it is typically played in, will choose the instrument. It can be a rewarding instrument to play and one that does not create a lot of noise when trying to practice at home. It is a quieter instrument, though its sound can attract attention because of its clear and soothing tone. It is a pleasant instrument to play, even if not for a career in music. There are many people out there who have chosen to learn the pan flute as a hobby because they enjoy the sound and they like to play on their free time for fun.

Source by Victor Epand

Angel's Trumpet has Devil's Breath


Many of us might wonder, what is angel’s trumpet? Angel’s trumpet is a flowering plant which is called as Brugmansia or Datura. It is a genus of seven species of flowering plants in the family Solanaceae (nightshade) native to tropical South America. People love Angel’s Trumpet. The flowers are attractive, and very fragrant. Angel’s Trumpet is a highly attractive and popular flowering plant. It has trumpet shaped blooms, in a variety of colours including white, peach, yellow and orange.

                                     WHITE BRUGMANSIA          

 Other than the usage as ornament plant , Brugmansia has its own speciality and uses. In modern medicine, important alkaloids such as scopolomine, hyoscyamine, and atropine, found in Brugmansia and other related members of Solanaceae, have proven medical value for the anticholinergic, narcotic, anesthetic, spasmolytic, anti-asthmatic properties. External uses include the treating of aches and pains, dermatitis, orchitis, arthritis, rheumatism, headaches, infections, and as an anti-inflammatory, whre it is in the form of poultice, tincture, ointment, or where the leaves are directly applied transdermally to the skin. Internal uses will be in highly diluted preparations, and often as a portion of a larger mix, include treatments for stomach & muscle ailments, as a decongestant, to induce vomiting, to expel worms and parasites, and as a sedative. They have been used internally much more rarely due to the inherent danger of ingestion. This is because the toxicity of this plant is extremely high where , all parts of Brugmansia are poisonous, with the seeds and leaves being especially dangerous.. So, what is so special about this plant?


The speciality of the plant is its toxicity level of scopolamine. This plant has the highest toxicity of this particular substance. We might wonder what kind of action does this scopolamine have? Scopolamine is an anticholinergic medicine which has many effects in the body especially hallucination. So by using this as an advantage, this plant is commonly used for robbery and assault in Colombia. As documented in the 2007 documentary “Colombian Devil’s Breath,” criminals in Colombia have extracted scopolamine from the plant and used it as a potent drug that leaves victims unaware of what they are doing but entirely conscious. Scopolamine can be absorbed through the skin and mucous membranes, allowing criminals to simply blow the powder in a person’s face. The amazing fact is that, the victim is entirely conscious but not aware of anything happening around them. That is why in Columbia the drug is called “devil’s breath”  because “it steals your soul.”. It is a dangerous drug, that has caused many deaths, especially from teenagers experimenting with it after hearing rumours about its hallucinogenic powers. Many of the users have also talked about memory loss where one man has continual memory loss and also suffers terrifying nightmares since his use.  Although this plant is widely used as ornament plant, it is highly recommend you seriously consider the risks before growing this plant.


The Elements of House Music

Quality Touch House Music
A Lesson in House Music Production

This article is accompanied by a video where we show you in-depth the elements of house music.
In the video we go through multiple styles of our own house music and even through in a quick freestyle performance, and have a laugh with it!

We, as beat makers, make all different styles of music and House is one of our favourites.  You can experiment and do so much with it.  We show you, you don’t necessarily need an amazing vocalist for house music.  Try out your own vocals and have fun with it!

We show you the drums, the bongos, the percussion, the bass, the keys, the synthesisers, the strings, the brass, the vocals and other instruments.  If you’re a Beat Maker into House, this video gives you an in-depth and fully rounded view of the elements required to build house music.

You can watch the video at:

The video helps you to understand how the different sounds should interact with each other within house music; how the kicks, snares, hats and percussions should bounce off one another, and how the melodic instruments should harmonise with each other.  This video will give you an idea of how your instruments and vocals should sound when they stand alone, and also how they should sound when they’re altogether.

How do you make your kick phat?
How do you make your drum and percussion section skippy?
How do you make your bass round and warm?
How do you make your vocals thick and luscious?
How do you make your instruments realistic and wide?

To find out how and for more in depth tutorials on check out our blog site:


This video is a good watch, with a good vibe and it teaches you something too!  See what emotions and feelings House Music can bring!

Nuf Love and Stay Blessed,
Quality Touch Entertainment

Source by Q Tee

The Big Band Arranging Style Of Sammy Nestico

If you grew up watching television during the 1960s and 1970s you have undoubtedly heard the arranging style of Sammy Nestico. His musical arrangements can still be heard on reruns of popular shows during the variety show era of television. Sammy has arranged music for all types of groups, but it is the big band that he may be remembered most for more than any other type of music.

Raised in Pittsburgh, PA, Sammy Nestico got his first taste of music playing trombone in the David B Oliver high school band. He became an avid practicer, so much so that his mother did the opposite of what most mothers tell their children – to “stop practicing and go outside and play!”

Soon after his adoption of the trombone as his musical instrument of choice, Sammy began arranging music for a small band at the high school. These early years would help shape a unique style – one that has become one of the most recognized styles in big band arranging circles.

Sammy’s arranging style is a combination of simplicity and economy. Melody is of prime importance in every arrangement. The importance of melody combined with an uncanny sense of “balance” between sections make Sammy’s big band arrangements not only fun to listen to, but to perform as well. His sense of harmony is not overly complex, and always fits with the character of each and every big band composition or arrangement.

In 1946, Sammy auditioned for trombonist and staff arranger with the newly formed group, the United States Airmen of Note. As the first arranger for the highly skilled ensemble, Sammy honed his writing style by churning out dozens and dozens of big band arrangements for the group.

During the 1960s, Sammy collaborated in recordings with the Count Basie Band. These recording sessions produced some of the most swinging and most performed big band charts of all time. Charts such as “Basie Straight Ahead” and “The Queen Bee” continue to be played by high school and college big bands all over the world. Sammy has even written that working with Bill “Count” Basie was the musical and personal highlight of his careeer.

Sammy Nestico continues to compose and arrange big band music to this day. He will undoubtedly be remembered as one of the quintessential big band arrangers of the 20th century. For more information on the musical arranging style of Sammy Nestico, refer to his own comprehensive book on arranging, The Complete Arranger

Source by James P Martin